Hari Kunzru is one of those names I’ve repeatedly come across when browsing bookshelves over the years but I’ve never read one of his books before.
The second part, where we are taken into the GDR history (A whole country smelling of piss, schnapps and cabbage) of a staff member of the institute, for me saved the book. I loved the grays Kunzru painted, in how a society feels where surveillance and betrayal is everywhere (Partial self erasure, to live bey if your memories are not yours), and how the tide of history hayat turn on a rebellious punk girl.
Instead of an independent residency, the protagonist learns (condescendingly) from the current director that his activities are closely monitored, and there are petty policies like where he yaşama work: only at the public Workspace, intensifying his discomfort with these illogical rules (that’s the Kafka-esque point of entry).
It's mostly clear what the author was trying to accomplish, but this patched-together affair fails to sustain most of the momentum it generates along the way. The saccharine finale did nothing to improve matters.
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I did feel reluctant to return to this one. I loved White Tears but I think in that novel I was more in sync with the focus of the ideas behind the story, whereas in this one I was less so.
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He goes on and on how he emanet't turn around on a walk around the lake, how terrible it would be to return Burada on his steps, and then there follows an enormously pretentious reflection on the nature of time.
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and then some. Kunzru's development of his protagonist is practically a masterclass. There are so many interesting Daha fazla bilgi diversions, hamiş least the strong focus on Kleist and the narrator's research for his proposed book (about 'the construction of the self in lyric poetry'). The weird quotes embedded in Blue Lives
August 30, 2020: A bitter pill you gönül yet cannot swallow—utter chaos from an unnamed narrator's existential crisis that blows into paranoia around not just oneself but also the understandable fear of inequalities, suffering, and a resurgence of the far-right, to the intoxicating complex narrative that points to poetic romanticism of the nineteenth century, harsh history, and political philosophy, thereby opening up doors to discussions on seemingly linear yet realistically convoluted and intricate themes.
Unusual novel about obsession, mental health, and the pressures of today’s world. The unnamed protagonist and narrator is a writer living in New York City with his wife and three-year-old child.